It’s no secret, I really like Gunda Stewart’s wood-fired​ vessels

I have written about Gunda Stewart before.  If you missed it, here is a little synopsis.  Stewart studied with Tam Irving and Sally Michener at the Vancouver School of Art.  She works on a treadle wheel and is a great follower of the Leach tradition.  Both of us love the rich temmoku pots that come out of her wood kiln in Canyon, BC.  Her ash glazes and her Shinos are also spot on.  Lately, she has been experimenting with ‘blue’.  Some of the results are now sitting on a few new shelves in my kitchen.  They are lovely soft grey blues, far distant cousins from the coldness of the cobalt I have seen elsewhere.  Stewart has been firing her large Manabigama kiln designed by John Thies and Bill van Gilder for ten years.  I like it because it is easy to fire, using less wood and human hours than many kilns of the same size.  The results are also stunning.  What I don’t like about it is the crawling inside to stack the shelves.  That has to be the only drawback and Stewart is wondering herself, even though she is in fantastic physical shape, how long she will be able to wood fire her work.  For me, I hope it is much, much longer.  Stewart used to sell her work to a gallery in St Louis and the Gardiner Museum of Ceramics shop in Toronto.  I say ‘used to’.  Many potters/ceramists, clay artists (what each individual cares to call themselves) rely on prestigious shops such as these not only for large sales such as the market in Toronto affords but also as a validation that their work is ‘excellent’.  Stewart now sells all her work locally, either at the Saturday market or through her studio.  Her buyers are repeat customers, often several generations from the same family, and tourists that come to the East Kootenays.  She has trouble keeping stock and her recent, lovely ‘blues’ fly off the shelves as do the more traditional Sung dynasty glazes.  How satisfying it must be to know that in an area with a small population your work is valued, even cherished.  If you are in the Canyon area, follow the blue artisan signs.  Her shop is open most days from 11-7 during the summer and fall.

As for me, I want to publicly thank her for hosting me, for talking pots, sharing her recipe for Quinoa brownies (delicious), and taking me for a walk in the beautiful cedar forests.  I envy her the quiet tranquillity that surrounds her in addition to the reasonable, very reasonable, indeed, cost of wood in the East Kootenays.  The wood here is not as good and is 5x more expensive – but, hey, we don’t have the trees that they do.  It was also very refreshing that when I asked her if she ever felt marginalized as a woman wanting to work in the world of wood firing that she said ‘never really.’  Tam Irving was super supportive to her as a student and both Cam Stewart and Robin du Pont, wood firers from the Winlaw area, have been nothing but great and giving.  Fabulous!

 

Author: maryannsteggles

I am a Professor at the School of Art, University of Manitoba where I teach art history and studio ceramics. My current research is on the history of Canadian wood firing, the marginalization of women within ceramics, and the impact of Vietnam era migrants on the history of Canadian ceramics. You can reach me at my e-mail address: maryann.steggles@umanitoba.ca

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