Believe it or not, with all the heat, the sweat, the need for a shower – when the kiln reached temperature, it was almost disbelief by those standing doing the last shifts. Amazing group of people who then dug in and cleaned up the kiln pad and who can’t wait to hear a talk by Markus tomorrow and see the results late Saturday.
The School of Art at the University of Manitoba is hosting a Bourry box kiln building workshop with Markus Boehm from June 21-30. It will be a one cubic metre kiln and participants are asked to bring pieces for the firing. The fee is $325. Spaces are limited and are on a first come basis. Please e-mail me of your interest: firstname.lastname@example.org
Markus Boehm lives in Alt Gaarz, Germany where he has his studio and a sales shop and gallery. In 1989 he passed the rigorous state examinations of the GDR to receive his master potters certification. Boehm was the driving force behind the First European Wood Fire Conference in Brollin, Germany in 2010, an event that was so successful it spread to Denmark for 2014 and to France for August 2018.
I do not know when I was first introduced to Gunda Stewart. I wish I could remember who it was that told me to contact her because I would like to thank them. I consider her a dear friend, a treasure, that came into my life so unexpectedly. I do remember flying into the tiny airport at Cranbrook from Calgary. What a view over the Rockies! And driving a rental car – some sort of Honda that had to have rear wheel drive through the mountains, south to Canyon BC. On the road to Gunda’s studio and home, nestled in the valley of the Selkirk and Purcell Mountains, there is a single blue artisan sign. But it doesn’t tell you that if you follow it, you will discover one of Canada’s best wood fire potters!!!! Gunda lives on a beautiful acreage with gardens, both flower and vegetable, with her partner Wayne and their dog, Sadie. Her studio is separate from the house and next to it is her Mamabigama 40 cubic foot wood kiln. It is a beauty!
Gunda studied with Tam Irving at the Vancouver School of Art. Her work clearly shows the influence of Irving as well as Irving’s friend, John Reeve, who also taught at the VSA for a short time. Her temmoku bowls, mugs, and baskets are covered by the deep rich iron glaze breaking at the lip into kaki (persimmon). She says she puts them at the back of her kiln and in the front is the ash glazed ware, runny and luscious.
Her work is sold at the local artisan market during the summer and at several holidays sales in the late fall. She also has a few sales out of her studio and visitors are welcome to drop by and purchase ware when there is not a public market or sale.
I often wonder if the people who attend the weekend markets in Canyon beginning in May know what a treasure they have in their midst? Or does the old adage, ‘You are not a prophet in your own land’ still apply? Google her. She has her own website where she features images of recent work. This was a bad year for all the wood firers in British Columbia. The wildfires kept the fire ban going until the end of September. Then it was a mad rush to fire the kiln, load after load, tiring and backbreaking at the same time, to get everything ready for the holiday markets.
Now that the season is drawing to a close, Gunda tells me she is ready to curl up, drink nice tea, and read a few good books as the snow covers the landscape in the winter.
If you happen to be in the area, follow the artisan sign. You will be so happy you did!
Joo Young (Grace) Han graduated with a BFA from Dankook University in South Korea, an art faculty that focused on traditional Korean ceramics. It was at Dankook that Han learned by observing the master, Joon Hoon Park, and by throwing hundreds of Korean tea bowls, known as sabal, daily. Over time, she became proficient in using the Onngi wheel to create the large earthenware vessels used to store water and fermented food such as kimchi. From 2004-2011 Han continued to perfect her ceramic skills before moving to Canada. On June 3, 2016, five years after arriving on the Canadian prairies, Han graduated with her MFA. She struggled throughout her graduate studies to find her own voice, somewhere in the middle of being a traditional Korean potter and a new Canadian studying pottery in a Western tradition. Today she is one of the rising stars in Canadian ceramics.
Since her graduation she has been a resident at the Medalta potteries, her work has been selected for the International Exhibition at Mashiko and was shown at the First Craft Biennale in Toronto. She has taught for the School of Art at the University of Manitoba. Her class on onggi making was a huge success. Han is spending December 2017 in Korea studying reduction cooling in wood firing.