Profound Sadness at the passing of Dr Sandra Alfoldy

It is with a very heavy heart that I acknowledge the untimely passing of Dr Sandra Alfoldy on February 24, 2019.  Sandra championed Canadian crafts and their history in every class she taught at NSCAD, in every public paper she delivered, and in her books.  She was immensely helpful to me in my research on Vietnam resisters that had moved into the Kootenays.  Sandra grew up there, and her Master’s thesis, Theory and Craft: A Case Study of the Kootenay Christmas Faire for Concordia University in 1997 came from her intimate knowledge of the event.  Her parents, fine crafters, were inspirational to her.  In that document, she states:  “Through years of active involvement in British Columbia’s Kootenay Christmas Faire, held annually since 1974 in Nelson, I became aware of a concern in the craft world that the introduction of theory into studies of craft would disregard practice. This fear was combined with resentment as artisans perceived
a hierarchically-based disdain toward the crafts and their producers. For years this
has led to a self-referential “art-versus-craft” debate which is not only counterproductive, but also leaves the area of craft under-explored in the institutional and academic art world.”  This was early Alfoldy and her research and her belief that craft could be part of a contemporary art world with all of its theories guided her creative research.  She was, at the time of her passing, looking to the Great Exhibition of 1851 and a response from the colonies (Canada).  Her thoughts on this will be missed, and the craft community in Canada will struggle to find such a remarkable advocate as Alfoldy.

Author: maryannsteggles

My creative life has many facets. I am a Professor of Ceramics and Art History at the School of Art, University of Manitoba. I write for a number of ceramic journals including Studio Potter, Art and Perception, Ceramics Technical, New Ceramics, and Ceramics Monthly. My research focuses on historical and contemporary Canadian woodfiring and, in particular, the marginalization of women. This year I have presented papers on the topic of the marginalization of women within the field of ceramics at the Third European Wood Fire Conference in La Borne, France, and the Creative Women Conference at the University of Guelph. I own Wheel and Throw. Contemporary Ceramic Design where I produce limited edition ceramic bottles. In the spring of 2019, I will be one of the resident artists at Hospitalfield in Abroath, Scotland. Can't wait! I can be reached at maryannsteggles@icloud.com

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