The Birth of Another Bourry Box – So Excited!

Adrienne Gradauer and Zach Quinn, the owners of Smiling Cow Studios in Maple Creek, Saskatchewan are building a new wood kiln – a Bourry Box!  Zach came to Markus Boehm’s Workshop and left so excited.  He has only been back a week and look at the progress.  The pad, the first layer of cinder blocks and well, I will keep you posted on their progress.  This kiln is so sweet.  Hoping others will take advantage of Boehm’s environmentally friendly design:  smokeless, uses only a half cord of wood (or less if you have hardwood).  We got cone 14 flat in thirteen hours but, when we are not drying out the kiln, I believe it could be a little faster.  She is a rocket!  I would personally like to see if we can get the same results in 10.  Stay tuned/

Meanwhile, if you are out there and hankering to help someone build their kiln and you are in the area of Lloydminster, Saskatchewan, Google Smiling Cow Studio, and chat with Adrienne or Zach about helping.  And if you are in the area and looking for unique ceramics (or online), support this young couple.  They are very deserving.

So excited to be a part of the Open Forum (with discussions and debates) at the Third European Wood Fire Conference in LeBorne, France

The French organisers of the Third European Wood Fire Conference in LeBorne, France have selected the speakers for the Open Forums and Discussions.  I am so pleased to be amongst so many talented wood firers including Julia Nema, Fred Olsen, Coll Minogue, and Ben Richardson.  It is going to be such an exciting time to be in this French village in the Loire Valley, home to wood firing kilns since the medieval era.

It is still not too late to register.  If you are into wood firing and want to be in ‘the place’, then check out the conference, find a flight, get some accommodation and go!  There is a week full of talks, demonstrations, discussions and debates and, of course, the meeting of old friends and the making of new ones.  The Third European Wood Fire Conference is August 25-September 1 at the Ceramique Contemporaine LaBorne Centre.  The website is at laborne.org

This is the listing for my talk…the more I research the marginalization of women in Ceramics the more that I am finding it is NOT a phenomena known in the area north of Berlin where women have been expected to work and have been equal in their training and their ability to supervise workshops for decades.  My talk focuses on North America with a nod to what has systematically happened in wood firing in Japan.

Thursday 30 August 10.45 – 11.15 am
Mary Ann Steggles

Mary Ann Steggles is Professor of Ceramic History and Ceramics at the School of Art, University of Manitoba, in Winnipeg.  Alongside her teaching, she curates, researches and writes on the history of wood firing and contemporary ceramics in Canada for various ceramics journals. She is working on a research project about the silencing of women ceramists and the marginalization of both women and ceramics in the world of contemporary art.

 

Her talk will focus on the marginalization of women within the world of wood fired ceramics.  In Japan, women are not allowed to fire the large wood kilns.  In Canada, the world of wood firing is dominated by a male view.  Historically, men have been the only visiting wood fire artists, their stories are predominant in the publications, even attempts to build a smaller kiln become controversial because the students see through male eyes.  The kiln has to be ever bigger, firing even longer, consuming more wood to get layer upon layer of fly ash on the surface.  Mary Ann students are women.  It is time they had women role models.  What are the experiences of other women wood firers?  and how can we create an aesthetic that counters that of this male view?

Anne Mette Hjortshoj

Anne Mette Hjortshoj is a Danish wood firing ceramist from the island of Bornholm.

On the island of Bornholm is the Royal Danish Academy and this is where Hjortshoj studied ceramics.  She graduated in 2000 and she continues to live on this island that is home to a large number of wood firing potters.  She fires a two chamber wood/salt kiln on the island often collecting local clays from the beaches for her slips and glaze materials.  Lately, she has been researching Nuka glazes.  Hjortshoj continues to study ceramics desiring to improve her work all of the time and gain more experience.  She has been to Wales where she spent more than a year with Phil Rogers.  She has also conducted workshops and studied with other potters in Korea, Australia, and the United States.

Her work is exhibited internationally.  To view, one of the best places is goldmarkart.com    There are also a number of youtube videos that show the work of this very accomplished young woman.  Check her out!

I am looking forward to the Third European Woodfire Conference in LeBorne.  Anne Mette and I met briefly at earlier European conferences and I want to discuss with her these Nuka glazes.

All images Goldmark Art.

‘The Bob Show’ needs you. Are you a former student of Bob Archambeau? Do you know someone who was?

2018 marks 50 years that Robert (Bob) Archambeau has been with the School of Art.  On November 28, a small exhibition of his work in celebration of his teaching and mentorship will open at the School of Art Gallery.

How can you help?  If you are a former student of Bob’s or you know someone who was, please contact me.  I am looking for stories, rememberings, and reflections on Bob as a teacher, mentor, and artist.  These will appear in the catalogue and on the walls of the gallery.

I am also looking for historic work and photographs.  Again, if you have photographs or work you could loan, please get in contact.  The School of Art Gallery is a class A gallery and the work is insured!

e-mail:  maryannsteggles@icloud.com    OR   maryann.steggles@umanitoba.ca

Thanks!

How one single event can change lives.

Today, was Markus Boehm’s last day in Winnipeg.  He will arrive at Berlin Tegel at 10:30 am on Tuesday (his time).  I hope that he understands fully how this single event of building a kiln and firing it in a week changed the lives of current and future students – and myself.  You see, for years I have either avoided or kicked the old train kiln.  Some days I kicked it really hard.  What the students knew of wood firing was ‘Thomas’, the train kiln, 58 hours of stoking every 90 seconds and never reaching temperature and eating up cords of wood.  Thomas also belched out black smoke from his stack.  But Thomas was tired, the bricks had expanded and contracted and I knew – from being at Markus’s that a wood kiln could reach temperature (cone 14), in less than 14 hours and use only a small amount of wood.  Even with so short a firing, there would be ash, depending on where the pots were stacked. For the students, whose lives often did not include being able to financially travel the world and visit wood fire potters, they did not understand that there was an alternative to Thomas or the anagamas that have become so prevalent in Canada.  John Chalke wrote in an article for The Log Book that Canadian wood firers wait for an outside influence to come in before change happens.  Well, Markus, you were that outside influence.  Bob Archambeau, one of Canada’s most recognized ceramic artists, even brought a German apple cake that his wife Merie made in celebration.  Bob watches.  He once told me that students learn more from watching professors thrown than those who ‘tell them’.  He is, of course, correct.  I wonder if he believed we would be successful?  Must ask him!  On Sunday, he joined us in celebration after the kiln opening (it reminded me of when the eye is painted in on the Buddha, the Daruma, or the Dragon boat). We were happy to have him with us.

Former student, Donna Garafolo, decided that Markus should be the kiln god.  She recognized in him what many of your friends and associates already know:  you do not ‘see’ a difference between men and women who fire with wood (or for that matter in any field).  Your view is strictly level or even.  You told me that this is an ‘East German feeling’.  All of the men and women had to work.  For me, to see that women potters were equal to the men, even at the beginning of the 20th century, in Germany but not elsewhere was an eye-opener.  My friend, Susan, tells me that women were not allowed to even use the welding torch until 1978 at the University of Saskatoon.  How sad.  Things are changing but…

I am giving a talk at the Third International Wood Fire Conference on women who fire wood kilns in Canada and how many have been marginalized – well, women in ceramics in general.  If you are reading this and have a story and do not mind sharing it with me, please write to me at maryannsteggles@icloud.com     Surely I am not the only one!

‘She’ is just about finished…needs some tweaking for the next firing. Did we learn anything?

Those of you reading my blog know that the idea for the new Bourry Box kiln came because there was a need for a ‘learning’ kiln.  A kiln that is easy to load, clean, fire and that can be fired numerous times in a short period of time to cone 13/14 and by one or two persons.  We just about did it.  The bagwall will be adjusted, new shelves will be ordered (please don’t use old soda kiln shelves), and a nice coat of Adobe will be spread.  Anyone have any ideas what colour we should tint that Adobe?  And we need some new insulating bricks for the door – we used the ones we had but it takes far too long to mortar them if they are broken.

The kiln requires a proper shed or it will simply deteriorate.  Putting a temporary one up is an option but then people begin to see that this might work and they give up on building one that would cover the space, the ware carts, and the students when they are loading and firing.  Hopefully,  we will have this before winter sets in.  Then the lever and pulley system can be installed allowing for one person to fire.  But, we also need to figure out a way to safely pre-heat the kiln in a public setting.  But, for now, this chimney needs to be attached to the building!

The kiln went up as Markus and I had planned and as we knew that it would.   But others were caught off guard.  You cannot mortar a proper chimney and weld all of the metal supports in two days.  It simply cannot happen with other demands such as the welding of the fibre board firebox lid.  And then if the scaffolding company comes and you haven’t finished, well…I can’t do a tell-all in my blog because in about a year the story of this kiln is going to appear in Ceramics Monthly and, hopefully, it will help others planning a community build.  What I will continue to do is to praise the participants who signed up to learn and help; they were very thankful and repeatedly told me and Markus what a good experience this was.  As I have said many, many times in this blog, it was their motivation, respect, and desire to build something the right way that made this possible (and, of course, Markus).

For now, though, I have to move on.  The ashes from the first firing have been fathered (yes I wore one of those horrible masks) for experiments with Nuka glazes.  I am going to go and see my friend Gunda Stewart in Canyon, BC in mid-July.  She has a beautiful manibigama kiln and her wood-fired domestic vessels are solid.  Then it is Guldagergaard and finally, The Third European Wood Fire Conference is in Le Borne, France at the end of August.  Check it out.  Paul Davis is giving a workshop on Oribe at Sturt (Australia) in early July (won’t be there but some of you might be able to jump on a plane; there are a few spaces left).  There are lots of things happening around the world within the wood fire community.

Great firing, even greater crew!

The work coming out of the first firing of the new Bourry box kiln was fantastic.  It was just a wonderful group of people who will stay in touch.  Mike Astill has his own wood kiln in Ile des Chenes but joined us (he is a fabulous former student from the School) and entertained many of the crew while they were here from out of town.  Thanks, Mike and Maria!

The firing survived the old soda shelves that oozed soda and are so brittle they could cut someone’s arm off if broken.  We love Markus’s wadding recipe because it flakes off easily.  His glazes were amazing as were some of the ones the crew brought. There is good biidoro at the lower level which reached well beyond cone 13.  And the kiln fires like a rocket.  Might have said, we had to slow it down by soaking the poplar logs.  We will modify the bagwall, use a smaller shelf on the top and not load the pots so near the roof to even out the temperature.  Everyone was happy!  What a way to end 9 days together – not wanting to leave.