Those of you reading my blog know that the idea for the new Bourry Box kiln came because there was a need for a ‘learning’ kiln. A kiln that is easy to load, clean, fire and that can be fired numerous times in a short period of time to cone 13/14 and by one or two persons. We just about did it. The bagwall will be adjusted, new shelves will be ordered (please don’t use old soda kiln shelves), and a nice coat of Adobe will be spread. Anyone have any ideas what colour we should tint that Adobe? And we need some new insulating bricks for the door – we used the ones we had but it takes far too long to mortar them if they are broken.
The kiln requires a proper shed or it will simply deteriorate. Putting a temporary one up is an option but then people begin to see that this might work and they give up on building one that would cover the space, the ware carts, and the students when they are loading and firing. Hopefully, we will have this before winter sets in. Then the lever and pulley system can be installed allowing for one person to fire. But, we also need to figure out a way to safely pre-heat the kiln in a public setting. But, for now, this chimney needs to be attached to the building!
The kiln went up as Markus and I had planned and as we knew that it would. But others were caught off guard. You cannot mortar a proper chimney and weld all of the metal supports in two days. It simply cannot happen with other demands such as the welding of the fibre board firebox lid. And then if the scaffolding company comes and you haven’t finished, well…I can’t do a tell-all in my blog because in about a year the story of this kiln is going to appear in Ceramics Monthly and, hopefully, it will help others planning a community build. What I will continue to do is to praise the participants who signed up to learn and help; they were very thankful and repeatedly told me and Markus what a good experience this was. As I have said many, many times in this blog, it was their motivation, respect, and desire to build something the right way that made this possible (and, of course, Markus).
For now, though, I have to move on. The ashes from the first firing have been fathered (yes I wore one of those horrible masks) for experiments with Nuka glazes. I am going to go and see my friend Gunda Stewart in Canyon, BC in mid-July. She has a beautiful manibigama kiln and her wood-fired domestic vessels are solid. Then it is Guldagergaard and finally, The Third European Wood Fire Conference is in Le Borne, France at the end of August. Check it out. Paul Davis is giving a workshop on Oribe at Sturt (Australia) in early July (won’t be there but some of you might be able to jump on a plane; there are a few spaces left). There are lots of things happening around the world within the wood fire community.
Everyone has either brought bisque work or created objects that will be loaded tomorrow. The kiln will be fired with dry Poplar logs on Thursday for about 14 hours so that we can reach cone 14.
Markus mixed up some amazing short bodied heavily grogged clay. All of the participants and Markus worked on the wheels (Diane Laluk made masks) and those vessels have been drying in the kiln room or out in the sun to be loaded tomorrow raw. Can’t wait to see how the lick of the flames changes them.
It has been a great experience. Everyone seems to have much more confidence, realized talents and muscles they hadn’t used for awhile, and made some new friends. You literally could feel the ‘cooperation and respect’.
Now if you are looking for some experience building a similar kiln and live near Maple Creek Saskatchewan, get in touch with Zach and Adrienne at Smiling Cow Studios. They already have their pad ready and will start the build in about a week. Zach is an incredibly nice guy – drive over and give them a hand. I am certain that they would come and help you! Pass along this information to anyone that you know.
This Bourry box kiln with the extended throat should fire beautifully using little wood. It is time to think of the environment and to slow down. Will post some of the images when the pieces come out of the kiln! There are going to be some beauties!
The School of Art at the University of Manitoba is hosting a Bourry box kiln building workshop with Markus Boehm from June 21-30. It will be a one cubic metre kiln and participants are asked to bring pieces for the firing. The fee is $325. Spaces are limited and are on a first come basis. Please e-mail me of your interest: firstname.lastname@example.org
Markus Boehm lives in Alt Gaarz, Germany where he has his studio and a sales shop and gallery. In 1989 he passed the rigorous state examinations of the GDR to receive his master potters certification. Boehm was the driving force behind the First European Wood Fire Conference in Brollin, Germany in 2010, an event that was so successful it spread to Denmark for 2014 and to France for August 2018.
The first is news of a really big event. The last two weeks of June, Master Potter Markus Boehm from Germany will be with us. For years I have been advocating for a wood kiln that was for the students, one that could be fired by a single person achieving the level of ash that would put a smile on your face without using so much wood and without having to be fired for 46 hours. Well, we are going to build it! A state of the art smokeless Bourry Box kiln that will reach cone 14 in 14 hours using only two cubic metres of hardwood logs. Honestly, you can knit a sweater while firing this kiln. Good for one person, great for a group, too. I will be putting out the call for 10 workshop participants. It will be 10 days and will include a firing. I need individuals who are keen to learn how to put German engineering into wood kiln design and who are not afraid of long days, sweating, learning a heck of a lot, and walking away with some nice wood fired pieces. Final dates and workshop costs will be forthcoming.
Bob Archambeau has been with the School of Art for 50 Years. In the late fall, the School of Art Gallery at the University of Manitoba will be holding a retrospective of Archambeau and his work. I will be curating this special exhibition and will be looking for work of Bob’s dating from 1968 to 2008 as well as historic photographs and great stories about Bob as a teacher and potter to go into the catalogue. Stay tuned as Paul Hess and I work towards finalizing dates.
Ceramics Club at the University of Manitoba will be holding their spring sale in mid-April. Watch this site for dates and times.
And two articles of mine were published. One features Joo Young Han (Grace Han), Onnghi Master and recent MFA graduate from the School and is in the latest edition of New Ceramics (Neue Keramik) and Markus Boehm: East German Master Potter Adapts to Changes since the fall of the wall in Ceramics: Art and Perception. Also, Grace Han will be featured on a short documentary by the CBC. I will try to get the dates and times it will be shown. Congratulations Grace!