Those fabulous students preparing for the wood fire on Saturday, December 1

Those of you who have read my blog on a regular basis might be getting tired of me telling you of the great blessings I have had or the fantastic students that have come my way this term but, both are true.  Yes that first firing went 50% as planned but gosh did we ever learn a lot.  The weather was good to us and each of us quietly hoped that there would not be an Arctic freeze during the second firing.

On Friday, November 23, it was +2 C.  That day the students helped the ceramics tech, Chris Pancoe, with sorting, cutting, and stacking the oak slabs for the firing.  For safety reasons, Chris graciously took on the chain saw so that no student got hurt despite the fact that he was trying to get everything perfect for us as he and his wife, Jennie, were leaving for Sweden to build one of the ice hotel rooms in two days time.  Congratulations to the two of you and hopefully you will have a fantastic adventure.  Monique Chartier-Kroeker and Anastasia Waly helped Chris along with Hyounjung Lee who had, until that instance, never handled a shovel.  She enjoyed clearing up that sawdust!  Great work all of you.  Inside the sculpture building, Alexandra Ross was on the chop saw helping get the pre-heat wood ready to go.

So far, the two firings in the kiln have used Poplar logs so this is going to be new to all of us as no one has used hardwood planks before.  We have oak and the slabs are big and dry.  Chris welded us a grate so that we no longer have to depend on logs and I am hoping that the hardwood doesn’t cause us to have too much of an ember bed that it blocks the flue.  We will just have to keep our eyes on that!

Did I say that Monique discovered that the features of the oak slabs were really interesting?  One piece of wood even came inside the studio to be the mascot for the firings despite the fact that there was a debate over whether it was a ‘moose’ or a ‘rabbit’.   No clinical psychologists around to analyze the meaning for those choices so all is well!

Inside Zach Dueck and Kendra Wile helped mix up two of the favorite class glazes – Haystack Green and Tin Purple while the others glazed their work and wadded the bottoms of their pots for loading this coming Friday.

Over the course of several more firings they will find their way balancing the naturalness of the wood firing and ash with their need for colour.  But no one wants ugly brown pots according to Paul Davis’s definition.  We are all looking forward to how the new Nuka glazes using the ash from the second firing and some new shinos come out in this firing.  Julia Beazley, Kewen Qiang, and Yijia Zhang were putting the final touches on their new bisque pieces for the firing in our glaze room.

We will keep you posted on how it goes….Sara Berg will light the gas burner to pre-heat the kiln and chimney at 3am Saturday and hopefully the rest of us will have a ‘laid back’ wood firing and be finished by 11pm. This time we will not run out of wood and those darn cones will bend and the pyrometer will work!  Since there is so much salt build up we may just toss a little extra in!  Stay posted for action shots beginning Friday night!

Don’t Miss Out – One more day for the Crafted Show and Sale at the Winnipeg Art Gallery!

The Crafted Show and Sale is on at the Winnipeg Art Gallery til 9pm tonight, Friday November 2 with doors opening Saturday from 11am to 5pm.  This is the fourth year that the WAG has opened its doors so that  Manitobans can see the talents of more than fifty of its artists.  The entry fee is $5.

Once inside the door you are welcomed by the team that put together a great charity event.  Twenty of the ceramists and their bowls were teamed up with twenty of Manitoba’s top chefs to create a cookbook.  They are selling for $10 and the majority of the proceeds will go to Winnipeg Harvest.  It is beautifully designed and illustrated and is the perfect gift for all of you looking for a Surprise Santa gift.  Going along with the theme of soup and soup bowls, you can actually have your lunch while shopping.  On offer for $5 a bowl are Smoked Arctic Char Chowder, Curried Green Pea Soup, Chilled Roasted Golden Beet Soup, and Hemp Mulligatawny.  And if that wasn’t enough there is also White Bean Soup, Heirloom Tomato Gazpacho, Kale and Potato, Carolina Crab Bisque along with Vegan Carrot.  It is a great opportunity to rest between floors!  and visit with friends.  Despite it being a Friday, visitors were already flooding the stalls by 1pm.  One of my favorites Indigo Arrows, beautiful hand made and printed textiles by Destiny Seymour, was almost sold out by the time I got to the 4th floor.  Her simple designs on lovely dyed linen represent Destiny’s Cree heritage.

But, I have to admit that it really is heart warming to see so many talented ceramic artists that have been students at the School of Art.  Terry Hildebrandt has just returned from getting his MFA in Alberta (featured image).  Check out his beautiful wood and soda fired work up on the Mezzenine Floor.  He is right on the left as you exit the stairs.  I have a ‘soft spot’ for Terry’s plates, my collection extending back to when he was an undergrad student and more recently some of the most stunning plates found at the Manitoba Craft Centre’s shop.  Directly across from Terry is the talented Jessica Hodgson who not only creates work and teaches at The Edge Clay Centre but also works for the Manitoba Craft Council (busy young lady).  Alan Lacovetsky is part of the cooperative at the Mostly Stoneware Gallery.  His studio is located in St Andrew’s.  Alan is part of the Interlake Wave Studio tour that takes place in the spring and again the beginning of September.  It’s a nice drive and a great chance to check out his wood kiln!

The number of ceramic artists boogles the mind and again is a testament to the thriving ceramic community both within Winnipeg and out.  Their work is so varied and is a reflection of their strong creative spirit.   I do apologize if I miss anyone – you are all fabulous.  PJ Anderson combines her love for basketry and ceramics into distinctive smoked fire vessels.  I have always admired Kelli Rey’s sense of humour and her wonderful ability to handle clay since I first curated her work into the exhibition, Soup and Sustenance, in 2008.  That show also had a charitable theme with the gala soup dinner tickets going to the Portage la Prairie soup kitchen.  Funny too…it was a bit of a snowy blustery day back then.  Several other members of the Mostly Stoneware Gallery are included including the rising young talent of Teegan Walker and the work of the celebrated Kathryne Koop.

I could go on and on…the list of clay makers is long.  But I also want to call attention to two special people on the first floor.  The first is the ceramic technician for the School of Art, Chris Pancoe.  Check out his fermenting jars and his soup bowls.  Valerie Metcalfe, one of the founders of the Mostly Stoneware Gallery on Corydon, is next to Candice Ring just a short walk away.  I have admired Valerie’s work for decades but this year my heart went out to her as she and a group of devoted citizens tried to protect a wooded area, home to a large number of deer, near to where I live, from being destroyed by urban expansion.  In response, she made a lovely series of work specially dedicated to the Parker Forest and Wet Lands.  It was because of that big heart of hers that I had to break a promise not to bring any more ceramics into my house.  Valerie, I am sitting here enjoying the nicest green tea from that gilded mug.  What a tearful day it was and what will now happen to those deer that so long have called this area home?  One found its way into the traffic by Jubilee and Pembina.  Thankfully it wasn’t killed.

Ceramic artists share so many social and environmental concerns while at the same time making objects and vessels to enrich our daily lives.  The Crafted Sale has more than clay but, why not tomorrow, begin thinking of who might need something for the holidays – a teacher, someone in your family, a friend – and head down to the WAG for the last day of Crafted.  Have your lunch, buy a cookbook and feel good about helping others.  You won’t regret it!

‘The Bob Show’ needs you. Are you a former student of Bob Archambeau? Do you know someone who was?

2018 marks 50 years that Robert (Bob) Archambeau has been with the School of Art.  On November 28, a small exhibition of his work in celebration of his teaching and mentorship will open at the School of Art Gallery.

How can you help?  If you are a former student of Bob’s or you know someone who was, please contact me.  I am looking for stories, rememberings, and reflections on Bob as a teacher, mentor, and artist.  These will appear in the catalogue and on the walls of the gallery.

I am also looking for historic work and photographs.  Again, if you have photographs or work you could loan, please get in contact.  The School of Art Gallery is a class A gallery and the work is insured!

e-mail:  maryannsteggles@icloud.com    OR   maryann.steggles@umanitoba.ca

Thanks!

How one single event can change lives.

Today, was Markus Boehm’s last day in Winnipeg.  He will arrive at Berlin Tegel at 10:30 am on Tuesday (his time).  I hope that he understands fully how this single event of building a kiln and firing it in a week changed the lives of current and future students – and myself.  You see, for years I have either avoided or kicked the old train kiln.  Some days I kicked it really hard.  What the students knew of wood firing was ‘Thomas’, the train kiln, 58 hours of stoking every 90 seconds and never reaching temperature and eating up cords of wood.  Thomas also belched out black smoke from his stack.  But Thomas was tired, the bricks had expanded and contracted and I knew – from being at Markus’s that a wood kiln could reach temperature (cone 14), in less than 14 hours and use only a small amount of wood.  Even with so short a firing, there would be ash, depending on where the pots were stacked. For the students, whose lives often did not include being able to financially travel the world and visit wood fire potters, they did not understand that there was an alternative to Thomas or the anagamas that have become so prevalent in Canada.  John Chalke wrote in an article for The Log Book that Canadian wood firers wait for an outside influence to come in before change happens.  Well, Markus, you were that outside influence.  Bob Archambeau, one of Canada’s most recognized ceramic artists, even brought a German apple cake that his wife Merie made in celebration.  Bob watches.  He once told me that students learn more from watching professors thrown than those who ‘tell them’.  He is, of course, correct.  I wonder if he believed we would be successful?  Must ask him!  On Sunday, he joined us in celebration after the kiln opening (it reminded me of when the eye is painted in on the Buddha, the Daruma, or the Dragon boat). We were happy to have him with us.

Former student, Donna Garafolo, decided that Markus should be the kiln god.  She recognized in him what many of your friends and associates already know:  you do not ‘see’ a difference between men and women who fire with wood (or for that matter in any field).  Your view is strictly level or even.  You told me that this is an ‘East German feeling’.  All of the men and women had to work.  For me, to see that women potters were equal to the men, even at the beginning of the 20th century, in Germany but not elsewhere was an eye-opener.  My friend, Susan, tells me that women were not allowed to even use the welding torch until 1978 at the University of Saskatoon.  How sad.  Things are changing but…

I am giving a talk at the Third International Wood Fire Conference on women who fire wood kilns in Canada and how many have been marginalized – well, women in ceramics in general.  If you are reading this and have a story and do not mind sharing it with me, please write to me at maryannsteggles@icloud.com     Surely I am not the only one!

End of Day 5: The Kiln is Finished! Matt Boyd laid the last brick in the last course of the chimney around 4:45pm. Wow.

Everyone has either brought bisque work or created objects that will be loaded tomorrow.  The kiln will be fired with dry Poplar logs on Thursday for about 14 hours so that we can reach cone 14.

Markus mixed up some amazing short bodied heavily grogged clay.  All of the participants and Markus worked on the wheels (Diane Laluk made masks) and those vessels have been drying in the kiln room or out in the sun to be loaded tomorrow raw.  Can’t wait to see how the lick of the flames changes them.

It has been a great experience.  Everyone seems to have much more confidence, realized talents and muscles they hadn’t used for awhile, and made some new friends.  You literally could feel the ‘cooperation and respect’.

Now if you are looking for some experience building a similar kiln and live near Maple Creek Saskatchewan, get in touch with Zach and Adrienne at Smiling Cow Studios.  They already have their pad ready and will start the build in about a week.  Zach is an incredibly nice guy – drive over and give them a hand.  I am certain that they would come and help you!  Pass along this information to anyone that you know.

This Bourry box kiln with the extended throat should fire beautifully using little wood.  It is time to think of the environment and to slow down.  Will post some of the images when the pieces come out of the kiln!  There are going to be some beauties!

Made room for 2 lucky individuals if you want to learn about wood firing and join some fantastic folks building a wood kiln with Markus Boehm June 21-30

The permit is in hand, the materials are on site or on their way, and excitement is beginning to stir.  It is just 16 days away from the first day of the wood kiln workshop at the School of Art, University of Manitoba.  I have opened up 2 additional spaces for another lucky 2 people to join us.  If you know of anyone, please let me know.  The fee is $325 – a bargain.  If you are coming from out of town, there is accommodation at St John College for $55 per day and that includes three meals.  Feel free to contact me for further information or any questions you might have.  It is a great group coming from Budapest, Vancouver, Maple Creek, Red Deer and Winnipeg!

My e-mail is:   maryannsteggles@icloud.com

 

Joo Young Han

 

Joo Young (Grace) Han graduated with a BFA from Dankook University in South Korea, an art faculty that focused on traditional Korean ceramics. It was at Dankook that Han learned by observing the master, Joon Hoon Park, and by throwing hundreds of Korean tea bowls, known as sabal, daily.  Over time, she became proficient in using the Onngi wheel to create the large earthenware vessels used to store water and fermented food such as kimchi.    From 2004-2011 Han continued to perfect her ceramic skills before moving to Canada.  On June 3, 2016, five years after arriving on the Canadian prairies, Han graduated with her MFA.  She struggled throughout her graduate studies to find her own voice, somewhere in the middle of being a traditional Korean potter and a new Canadian studying pottery in a Western tradition.  Today she is one of the rising stars in Canadian ceramics.

Since her graduation she has been a resident at the Medalta potteries, her work has been selected for the International Exhibition at Mashiko and was shown at the First Craft Biennale in Toronto.  She has taught for the School of Art at the University of Manitoba.  Her class on onggi making was a huge success.  Han is spending December 2017 in Korea studying reduction cooling in wood firing.