‘The Bob Show’ needs you. Are you a former student of Bob Archambeau? Do you know someone who was?

2018 marks 50 years that Robert (Bob) Archambeau has been with the School of Art.  On November 28, a small exhibition of his work in celebration of his teaching and mentorship will open at the School of Art Gallery.

How can you help?  If you are a former student of Bob’s or you know someone who was, please contact me.  I am looking for stories, rememberings, and reflections on Bob as a teacher, mentor, and artist.  These will appear in the catalogue and on the walls of the gallery.

I am also looking for historic work and photographs.  Again, if you have photographs or work you could loan, please get in contact.  The School of Art Gallery is a class A gallery and the work is insured!

e-mail:  maryannsteggles@icloud.com    OR   maryann.steggles@umanitoba.ca

Thanks!

How one single event can change lives.

Today, was Markus Boehm’s last day in Winnipeg.  He will arrive at Berlin Tegel at 10:30 am on Tuesday (his time).  I hope that he understands fully how this single event of building a kiln and firing it in a week changed the lives of current and future students – and myself.  You see, for years I have either avoided or kicked the old train kiln.  Some days I kicked it really hard.  What the students knew of wood firing was ‘Thomas’, the train kiln, 58 hours of stoking every 90 seconds and never reaching temperature and eating up cords of wood.  Thomas also belched out black smoke from his stack.  But Thomas was tired, the bricks had expanded and contracted and I knew – from being at Markus’s that a wood kiln could reach temperature (cone 14), in less than 14 hours and use only a small amount of wood.  Even with so short a firing, there would be ash, depending on where the pots were stacked. For the students, whose lives often did not include being able to financially travel the world and visit wood fire potters, they did not understand that there was an alternative to Thomas or the anagamas that have become so prevalent in Canada.  John Chalke wrote in an article for The Log Book that Canadian wood firers wait for an outside influence to come in before change happens.  Well, Markus, you were that outside influence.  Bob Archambeau, one of Canada’s most recognized ceramic artists, even brought a German apple cake that his wife Merie made in celebration.  Bob watches.  He once told me that students learn more from watching professors thrown than those who ‘tell them’.  He is, of course, correct.  I wonder if he believed we would be successful?  Must ask him!  On Sunday, he joined us in celebration after the kiln opening (it reminded me of when the eye is painted in on the Buddha, the Daruma, or the Dragon boat). We were happy to have him with us.

Former student, Donna Garafolo, decided that Markus should be the kiln god.  She recognized in him what many of your friends and associates already know:  you do not ‘see’ a difference between men and women who fire with wood (or for that matter in any field).  Your view is strictly level or even.  You told me that this is an ‘East German feeling’.  All of the men and women had to work.  For me, to see that women potters were equal to the men, even at the beginning of the 20th century, in Germany but not elsewhere was an eye-opener.  My friend, Susan, tells me that women were not allowed to even use the welding torch until 1978 at the University of Saskatoon.  How sad.  Things are changing but…

I am giving a talk at the Third International Wood Fire Conference on women who fire wood kilns in Canada and how many have been marginalized – well, women in ceramics in general.  If you are reading this and have a story and do not mind sharing it with me, please write to me at maryannsteggles@icloud.com     Surely I am not the only one!

Robert Archambeau Retrospective in Celebration of his 50 years​ or silver anniversary with the School of Art and the University of Manitoba will open in mid-November at the School of Art Gallery

The precise date is still to TBD but it will be around November 15 running until mid-January.  This is an amazing chance to look back at the work of one of Canada’s legendary ceramic artists and someone who has given so much to the School of Art and its students.  ‘Bob’ has been a fabulous mentor to those working in ceramics.

If you or anyone you know has ceramic work of Bob’s and would loan it to the School of Art Gallery for the exhibition, please get in touch with me as I will be curating the show.  The contact information is maryann.steggles@umanitoba.ca

Stay tuned for more details.

Photo:  Bob working in the ceramic studio, School of Art, 2016

You know those days when you feel like you should buy a lottery ticket? Today feels like that for me. I want to share some upcoming events that are so ‘hot’ they don’t have confirmed dates yet.

The first is news of a really big event.  The last two weeks of June, Master Potter Markus Boehm from Germany will be with us.  For years I have been advocating for a wood kiln that was for the students, one that could be fired by a single person achieving the level of ash that would put a smile on your face without using so much wood and without having to be fired for 46 hours.  Well, we are going to build it!  A state of the art smokeless Bourry Box kiln that will reach cone 14 in 14 hours using only two cubic metres of hardwood logs.  Honestly, you can knit a sweater while firing this kiln.  Good for one person, great for a group, too.   I will be putting out the call for 10 workshop participants.    It will be 10 days and will include a firing.  I need individuals who are keen to learn how to put German engineering into wood kiln design and who are not afraid of long days, sweating, learning a heck of a lot, and walking away with some nice wood fired pieces.  Final dates and workshop costs will be forthcoming.

Bob Archambeau has been with the School of Art for 50 Years.  In the late fall, the School of Art Gallery at the University of Manitoba will be holding a retrospective of Archambeau and his work.  I will be curating this special exhibition and will be looking for work of Bob’s dating from 1968 to 2008 as well as historic photographs and great stories about Bob as a teacher and potter to go into the catalogue.  Stay tuned as Paul Hess and I work towards finalizing dates.

Ceramics Club at the University of Manitoba will be holding their spring sale in mid-April.  Watch this site for dates and times.

And two articles of mine were published.  One features Joo Young Han (Grace Han), Onnghi Master and recent MFA graduate from the School and is in the latest edition of New Ceramics (Neue Keramik) and Markus Boehm:  East German Master Potter Adapts to Changes since the fall of the wall in Ceramics:  Art and Perception.  Also, Grace Han will be featured on a short documentary by the CBC.  I will try to get the dates and times it will be shown.  Congratulations Grace!

 

Robert ‘Bob’ Archambeau: Enriches the lives of those around him

Robert ‘Bob’ Archambeau (born 1933)  is one of Canada’s most renown ceramic artists.  When I asked him when he first fell in love with wood firing, he chuckled and said it was ” probably around the age of five when he made a fire that almost burnt the family garage down.” Bob graduated with an MFA degree in ceramics from Alfred SUNY in 1964.  For the next four years, he taught at the Rhode Island School of Design (RISD) before accepting a teaching position at the University of Manitoba where he teamed up with Charlie Scott solidifying a wood firing tradition (of vessels) that continues today.  Long before he was awarded the Governor-General’s Award for Excellence, those around him knew that his work was special as was his teaching.  Exceptional might be a better word.

Bob Archambeau has a deep respect for the art of Asia and the limited forms that he chooses to make are a reflection of this.  Note the word ‘chooses’.  There is nothing limiting about the vessels he creates despite the fact that he focuses on four or five vessel forms.  He says that he works on the same few shapes over and over again to improve his integrity as a maker while, at the same time, having deep respect for the traditions that inform those forms.

Anyone who has passed through the wheel throwing or hand building area of the Sculpture/Ceramics Building at the School of Art will be familiar with Bob.  He remains one of the best mentors that any of our students (and faculty) can have.  He is there working late through the night, on the weekends, and sometimes during the day.  When there are no classes being taught in the summer, he is one of a few that take over the clay area till the leaves begin to fall and students return in September.

Two or three years ago he had pieces drying – hundreds of them it seemed – spread across the tables in the hand building room.  At that moment, he was using leaves he had found on his walks as stencils for his plates.  He told me that he was making his granddaughter an entire set.  I was taken aback by this because, at the time, I believed his granddaughter to be 8 or 10.  What a remarkable gift to leave a child.

Twice a year, Bob heads to fire his work with Dan Anderson and his students in Illinois.  He has travelled around the world firing wood kilns with some of the leaders in the field.  On his retirement, his intent was to work in his studio in Bissett, Manitoba (about three hours northeast of Winnipeg).  He built a wood kiln in anticipation of the freedom he would have to work 24/7 if he chose.  Then there was a series of events that happened one of them being an entire ban on burning wood – despite the fact that one could argue that a kiln is an enclosed space.  Still, his dreams halted, Bob was quick to take a different path and it is the reason that he is at the School throwing with many students watching and learning.  In fact, Bob believes that students learn by “watching”.

Bob is also a collector.  Not only of leaves to use as stencils but anything handmade that catches his eye or objects of nature.  One day he had covered the two shelves of a trolley with shells.  He called me over saying, “Always look to nature for inspiration.”

One of Bob’s dearest friends was the late Takamori Akio. In 2015 Takamori was asked to provide a story (Bob loves stories) for a catalogue I was writing for an exhibition of vessels at the School of Art Gallery.  He wrote to me about Bob’s first visit to Japan.  Takamori said:  “Naturally, Bob was very visible in the small Japanese village when he visited me in Nagura, Japan.  He was a giant from Canada.  He would say that Japanese people might think that he was 100 years old because his hair and beard were turning white prematurely.  Bob wished he was invisible perhaps and he tried his best to become as small as he could like a ball of mercury.  He was so careful and acted like a gentle giant who tried not to irritate people around him.  So, Bob walked around very carefully with a shy smile on his face and if he had to talk, he whispered.  His effort worked very well.  Everybody liked him and nobody was intimidated by the stranger.  He did not bump his head or break things when he visited the small houses in the villages.  Bob could satisfy his insatiable curiosity by going to all the niches of the villages and finding small treasures for his eyes to see”.

Bob continues to be a gentle giant at the age of 84.  And those who are fortunate to see his passion for clay continue are truly blessed.

IMG_8358Bob Sandblasting a pot 1IMG_8268