The permit is in hand, the materials are on site or on their way, and excitement is beginning to stir. It is just 16 days away from the first day of the wood kiln workshop at the School of Art, University of Manitoba. I have opened up 2 additional spaces for another lucky 2 people to join us. If you know of anyone, please let me know. The fee is $325 – a bargain. If you are coming from out of town, there is accommodation at St John College for $55 per day and that includes three meals. Feel free to contact me for further information or any questions you might have. It is a great group coming from Budapest, Vancouver, Maple Creek, Red Deer and Winnipeg!
My e-mail is: firstname.lastname@example.org
Sadly, one of our participants is unable due to an illness in their family. So if you have been hoping to be part of this amazing workshop with Markus Boehm and missed out, now is your chance. The cost is $325. If you are coming from out of town, we have arranged accommodation and three meals per day at St John’s College for only $55. What a bargain! And their food is good, too. Best on campus most days.
So get in touch: email@example.com
Every year the Interlake supports its makers with bi-annual open studio visits. This year the dates are June 9 and 10 and September 1 and 2. Go online, check out the map and visit the workplaces of the more than 29 plus talented individuals.
The Interlake has a history of creative individuals. The Wave tour began in 2002 when School of Art graduate and Winnipeg Beach painter, Helma RoggeRedhers, organized the event. RoggeRedhers joined forces with Sandy Driscoll, a graphic designer, creating a self-guided tour of studios along Manitoba north highways 8 and 9. The tour has grown successfully since its beginnings to encompass more than 29 artists (some years 40!). Pottery, painting, sculpture, textiles…there is something for everyone. Good luck to all of the artists this year!
Jack Sures had a strong connection with Manitoba. Born in Brandon in 1934, he started studying painting and printmaking at the University of Manitoba’s School of Art in 1954, when it was located downtown. After transferring to the University of Michigan and travelling to Europe and the Middle East, the young artist returned to Winnipeg to set up Jack Sures’s Studio on Portage Avenue in 1962. The late Charlie Scott said that ‘Sures ushered in the modern era of pottery making in the City’. This was, as far as Scott knew, the first independent ceramics studio in the City. It attracted other talents such as Tam Irving, Anne Marie Schmidt-Eisler (later to study with Harlan House under Albert Borch in Alberta), Muriel Guest, Jason Krpan and Gerry Tillapaugh. In 1965, the University of Regina attracted the talented artist and passionate teacher to lead up their ceramics programme. Sures retired from teaching in 1989.
Timothy Long in the exhibition catalogue for Fine Form, Saskatchewan Ceramics stated: ‘In the post-war period, pottery gained substantially in status, moving from a cottage industry to a subject of academic study. Leading the way in Saskatchewan was Jack Sures (Regina), who established the ceramics program at the University of Regina in 1965. Sures advocated that ceramics be considered an art form on par with painting and sculpture.’
Sures used all of his talents when he created works of sculpture, ceramic murals, vessels and tiles. He gathered up the influences of his studies abroad to add to his personal expression onto the surface of the clay and its form. Sures exhibited his work internationally and for his talents was recognized by his being awarded the Order of Canada (Companion) in 1991, the Saskatchewan Order of Merit in 2003, the Commemorative Medal of the 125th Anniversary of the Confederation of Canada for his significant achievement in the Arts, as well as the Queen’s Diamond Jubilee Medal in 2012. More recently he was the recipient of the Governor General’s Award for Excellence (2018).
For Sures clay was the most expressive artistic medium. Throughout his life, he remained fascinated with the way that the medium could reinvent itself. For this sculptor and vessel maker, throwing at the wheel was soothing for his soul. Sures often said that the richness of one’s life and spirit is reflected in their work and in turn, transferred to the viewer. Sures will be sadly missed.
More than three decades ago, the late Robin Hopper and his partner, Judi Dyelle, envisioned an event that would showcase the best of British Columbia ceramics on one site for an event packed weekend. During these 32 years, twenty-three ceramists have displayed and sold their work at the Metchosin Community Hall. It is, in fact, the longest-running ceramic exhibition group in Canada.
The theme for 2018 is ‘Coastal Vessels: Romancing the Sea’. The exhibition and sale are open from 6-9 on May 25 and 10-5 on May 26 and 27th. If you are out in Victoria, check out the great talent that has been juried into this exhibition and sale.
Julia Nema is one of the most respected wood fire potters. She has a studio in Budapest and was recently featured in an article ‘Welcome to Budapest’. Julia has been firing her work in a Phoenix Fast Fire Kiln. She now needs to build a new kiln in an urban area, so she is joining us to learn how to build this smokeless kiln designed by Markus Boehm.
I am so pumped that she will be able to join us. You can check out her work online. Really beautiful dinnerware used by some of the finest restaurants in the Budapest. If you go to Budapest, please check out her studio. And if you are thinking about joining us for the wood kiln building workshop and firing from June 21-30, she is another reason to come. We had two cancellations so spread the word there is now another opportunity if you thought you missed out! Contact me: firstname.lastname@example.org
Photo credit: LB9 kep
Fotó: Polyák Attila / W
Fotó: PolLB9 kép